Maindoor. Отсутствие правил Джейд Джаггер Maindoor. The absence of rules by Jade Jagger.

Good design allows aesthetics and functionality to exist in harmony. Therefore, I strive to create comfortable and functional interiors.

I have always been interested in using textiles in interior design, as well as the history of textile design itself. I try to incorporate some antique textiles into the interior finishes, as I enjoy playing with color and texture to create an effortless yet luxurious atmosphere. Textiles go well with parquet and marble. Usually, I start with a neutral palette on white or grey walls, and then create intrigue with vibrant furniture colors.

I always follow my inner sense of style and try not to succumb to the influence of the latest fashion trends. This applies to everything - from jewelry to interior design.

I draw inspiration from the local culture, which is necessary to develop a design that would perfectly suit this particular home. I enjoy working with people from different nationalities and cultures. Collaboration and respect for others' values are important in the creative process. For example, when developing the design for the Turandot Residences club house on Arbat Street (a joint project with exclusive partner Kalinka Real Estate Consulting Group), I was inspired by the historical architecture of luxurious mansions on Arbat and the nearby Vakhtangov Theater. Perhaps that's why our design from Jade Jagger for yoo stands out with grandeur and theatricality.

When developing the design concept for the Turandot Residences club house, we turned to the materials palette of the Aristo style, rooted in European classical tradition. This style is characterized by the extensive use of expensive panel materials that create a sense of comfort in the apartment. To start working with Aristo, we specifically reviewed the works of Jean-Michel Frank (one of the "fathers" of Art Deco, who first started using shagreen, mica, and graphite in interiors, preferred a calm beige palette - Ed.) created by him in Paris in the 1920s, studied city houses that entered England's historical heritage.